Focusing on public domain stories that have a Disney connection and broader mainstream recognition is a strategy that’s worked well for these two directors. Additionally, Blood and Honey director Rhys Frake-Waterfield has Peter Pan’s Neverland Nightmare, as well as a Winnie-the-Pooh sequel on his docket. Milne’s original story a horror makeover–with Bambi: The Reckoning already on tap. Producer Scott Jeffrey has seen some of the biggest success of his career after the release of Winnie-the-Pooh: Blood and Honey –a movie that gives A.A. There are also unique storytellers, like Scott Jeffrey and Rhys Frake-Waterfield, who have found ways to almost weaponize public domain stories to create a built-in audience for their low-budget slasher films. It’s a situation that means that certain texts, like Mary Shelley’s Frankenstein are free to be tackled by anyone who has a creative take. Written works typically enter the public domain seventy years after the death of their latest living author. But an interesting wrinkle when it comes to the acquisition of rights is stories that have entered the public domain. Plenty of horror movie pipe dreams couldn’t come to fruition precisely because the rights for certain properties couldn’t be acquired. A major hurdle in any adaptation of an existing work is securing the copyright or license to legally be allowed to reinterpret this source material. The box office success of Winnie-the-Pooh: Blood and Honey poses the question of which other public domain tales are best suited for the horror genre…Ī good story remains paramount to a successful horror movie, but the heightened genre has also found considerable success through chilling adaptations.
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